«Para agarrarse a la tierra»: memoria e identidad en Nome: Bonita (2014), de Vanesa Sotelo

Galician actress, playwright and theater director Vanesa Sotelo (1981) carries out, through her dramatic writing, a poetic search for identity in female characters. In texts like Nome: Bonita (2014) the same concern always beats: scope of knowledge discovery roots, encounter with ancestors or understanding deeply personal issues. Along this identity, develops memory, by recovering historical figures from social context. sense, its main characters are great forgotten history who carry out their own inquiry as an act vindication. They seek and, at time, deserved place collective memory. This article will try to explore discursive thought keys these concerns it propose analyze what dramaturgical tools that she uses address them text Bonita. short, research aims highlight figure does not hesitate use value other women cultural heritage.